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  1. Professional

Lens Project DDPM

Project to shoot a single subject with different lenses and apertures.
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  • 16 mm f/2.8. Depth of field from wide angle lens.  Poor background.  Not interesting.

    16 mm f/2.8. Depth of field from wide angle lens. Poor background. Not interesting.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/11.  Depth of field from aperature and wide angle.  Notice light pole is more sharp than 2.8

    16mm f/11. Depth of field from aperature and wide angle. Notice light pole is more sharp than 2.8

    Lens ProjectMercedes ML350LensProject

  • 70mm f/10 Flat picture.  Compress background, Everything virtually crisp.

    70mm f/10 Flat picture. Compress background, Everything virtually crisp.

    Lens ProjectMercedes ML350LensProject

  • 70 mm f/2.8 Notice the compression of the car to the background.  Depth of field helps seperate subject but background still distracting.

    70 mm f/2.8 Notice the compression of the car to the background. Depth of field helps seperate subject but background still distracting.

    Lens ProjectMercedes ML350LensProject

  • 200mm f/10 background compression but more in focus due to narrow aperature.

    200mm f/10 background compression but more in focus due to narrow aperature.

    Lens ProjectMercedes ML350LensProject

  • 200mm f/2.8 More narrow depth of field and bokeh starts to blur background.

    200mm f/2.8 More narrow depth of field and bokeh starts to blur background.

    Lens ProjectMercedes ML350LensProject

  • 400mm f/10 shows huge background compression (tree looks like it's just off the back bumper) but narrow depth of field, even at f/10, creates a soft backgroun.

    400mm f/10 shows huge background compression (tree looks like it's just off the back bumper) but narrow depth of field, even at f/10, creates a soft backgroun.

    Lens ProjectMercedes ML350LensProject

  • 400mm f/2.8 creates wonderful bokeh seperating the car from the background.

    400mm f/2.8 creates wonderful bokeh seperating the car from the background.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/11.  Shooting up with wide angle distorts image.  Can be powerful in sports photos.

    16mm f/11. Shooting up with wide angle distorts image. Can be powerful in sports photos.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/2.8.  Distortion just doesn't work for this photo.

    16mm f/2.8. Distortion just doesn't work for this photo.

    Lens ProjectMercedes ML350LensProject

  • 35mm f/2.8 shooting up and getting a bit of distortion.

    35mm f/2.8 shooting up and getting a bit of distortion.

    Lens ProjectMercedes ML350LensProject

  • 35mm f/2.8 shooting flat and no real distortion.

    35mm f/2.8 shooting flat and no real distortion.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/8 shooting flat with wide angle removes distortion.  Wide angle shows the distance between objects in fore & background.

    16mm f/8 shooting flat with wide angle removes distortion. Wide angle shows the distance between objects in fore & background.

    Lens ProjectMercedes ML350LensProject

  • 70mm f/2.8 shooting up with no distortion, narrow depth of field helps to create a soft background.

    70mm f/2.8 shooting up with no distortion, narrow depth of field helps to create a soft background.

    Lens ProjectMercedes ML350LensProject

  • 160mm f/2.8  Much better shot as the car is the subject and the background is very soft.

    160mm f/2.8 Much better shot as the car is the subject and the background is very soft.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/10 shows same shot but almost everything is crisp due to small aperature.

    16mm f/10 shows same shot but almost everything is crisp due to small aperature.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/2.8 Shooting flat but signifiant distance portrayed between antenna and horizon.  Depth of field from aperature and proximity to focal point.

    16mm f/2.8 Shooting flat but signifiant distance portrayed between antenna and horizon. Depth of field from aperature and proximity to focal point.

    Lens ProjectMercedes ML350LensProject

  • 35mm f/2.8 Very narrow depth of field due to closeness of focal point and large aperature.  Bokeh (blur) cleans up the background.

    35mm f/2.8 Very narrow depth of field due to closeness of focal point and large aperature. Bokeh (blur) cleans up the background.

    Lens ProjectMercedes ML350LensProject

  • 35mm f/10 Has limited depth of field due to proximity of focal point, even at F/10

    35mm f/10 Has limited depth of field due to proximity of focal point, even at F/10

    Lens ProjectMercedes ML350LensProject

  • 70 mm f/2.8 Shows narrow depth of field but compressed background (looks closer than the wide angle shot)

    70 mm f/2.8 Shows narrow depth of field but compressed background (looks closer than the wide angle shot)

    Lens ProjectMercedes ML350LensProject

  • 200mm f/2.8 Perfect bokeh, Great focus on the antenna.

    200mm f/2.8 Perfect bokeh, Great focus on the antenna.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/10 notice the depth of filed change.

    16mm f/10 notice the depth of filed change.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/2.8 Narrow depth of field due to proximity.

    16mm f/2.8 Narrow depth of field due to proximity.

    Lens ProjectMercedes ML350LensProject

  • 200mm f/2.8 Compression of background but narrow depth of field.

    200mm f/2.8 Compression of background but narrow depth of field.

    Lens ProjectMercedes ML350LensProject

  • 200mm f/10 Vent in focus from end to end while wiper is soft.  Much better shot to show the subject.

    200mm f/10 Vent in focus from end to end while wiper is soft. Much better shot to show the subject.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/2.8 Notice the cripness of the brakes and sense of distance.

    16mm f/2.8 Notice the cripness of the brakes and sense of distance.

    Lens ProjectMercedes ML350LensProject

  • 35mm f/2.8 Brakes are soft and show less distance from spokes.  Longer lenses compress the background and decrease the depth of field.

    35mm f/2.8 Brakes are soft and show less distance from spokes. Longer lenses compress the background and decrease the depth of field.

    Lens ProjectMercedes ML350LensProject

  • 35mm f/2.8 shooting down with a bit of distortion.

    35mm f/2.8 shooting down with a bit of distortion.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/2.8.  Proximity and wide open aperature gives some depth of field and is more interesting than the f/8 shot.

    16mm f/2.8. Proximity and wide open aperature gives some depth of field and is more interesting than the f/8 shot.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/8 shooting high also provides distortion with a wide angle. f/8 yields a flat pic due to depth of field.

    16mm f/8 shooting high also provides distortion with a wide angle. f/8 yields a flat pic due to depth of field.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/2.8. Proximity creates depth of field but shot lacks interest.

    16mm f/2.8. Proximity creates depth of field but shot lacks interest.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/8.  Depth of field adds some interest to the mirror detail and background becomes more clear.

    16mm f/8. Depth of field adds some interest to the mirror detail and background becomes more clear.

    Lens ProjectMercedes ML350LensProject

  • 35mm f/8.0  35mm provides same field of view of the human eye.  No distortion.  Focused on the sunset.

    35mm f/8.0 35mm provides same field of view of the human eye. No distortion. Focused on the sunset.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/2.8 Better use of shooting up.  Distortion starts to create a powerful look.  Starting to get a feel for the use shooting up with a wide angle.

    16mm f/2.8 Better use of shooting up. Distortion starts to create a powerful look. Starting to get a feel for the use shooting up with a wide angle.

    Lens ProjectMercedes ML350LensProject

  • 16mm f/2.8 Crazy looking distortion.

    16mm f/2.8 Crazy looking distortion.

    Lens ProjectMercedes ML350LensProject

  • 148mm f/10 bacground compression makes the car look flat.  Depth of field creates crispness.

    148mm f/10 bacground compression makes the car look flat. Depth of field creates crispness.

    Lens ProjectMercedes ML350LensProject

  • 35mm f/2.8  Bumper shot as the eye would see it.

    35mm f/2.8 Bumper shot as the eye would see it.

    Lens ProjectMercedes ML350LensProject

  • 200mm f/2.8  Even with a short range between the star and the rest of the grill, notice the bokeh that blurs the background and creates focus on the star.

    200mm f/2.8 Even with a short range between the star and the rest of the grill, notice the bokeh that blurs the background and creates focus on the star.

    Lens ProjectMercedes ML350LensProject

  • 400mm f/2.8 shows tremendous background compression

    400mm f/2.8 shows tremendous background compression

    Lens ProjectMercedes ML350LensProject

  • GSU Panthers v South Alabama Jaguars Nov13

    GSU Panthers v South Alabama Jaguars Nov13

    Lens ProjectMercedes ML350LensProject

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